Fresh off his third studio album, Don’t Hate Me For My Thoughts, the Long Island MC is letting this one breathe—and it’s aging like fine wine. With each release, his discography becomes more polished, more personal, and undeniably more powerful. This latest project only adds to an already solid independent run.
Compared to his last effort, The Things You Love, there’s a noticeable leap in lyrical precision. He’s sharper, hungrier, and more intentional. The self-proclaimed “Greatest Rapper Alive” is tapping into heavier cadences this time around, moving away from a purely melodic vibe. That’s not to say the melodies are gone—far from it—but the energy? It’s dialed all the way up. There’s a fire in the delivery, and it’s as if he’s rapping for his life.
What’s wild is watching the evolution. The same artist who delivered the gritty 50,000 Bars mixtape back in 2022 is now effortlessly creating radio-ready records like “Right There.” That kind of range is rare, and it proves just how versatile he truly is.
Tracks like “Greatest Rapper Alive” place him in his own lane, not just among New York artists, but in the broader conversation of today’s lyricists. Whether he’s dropping clever punchlines, crafting introspective verses, or storytelling with a twist of humour, there’s never a dull moment. Cuts like “On This Song I Cry,” “3 Peat,” and “Outkast” showcase the full spectrum—raw emotion, technical skill, and creative risk.
If this album is any indication, he’s not just rapping for the culture—he’s helping redefine it.
